Here’s What’s New in Panasonic’s EVA 3.0 Firmware Update.BREAKING: Blackmagic Design Announces the New URSA Mini Pro 4.6K G2.Introducing the Yeti Nano from Blue Microphones.Looking for more on film and video gear? Check out these articles. It’s all about knowing where to spend money, and where you can save money. Some of this gear has been discontinued, but you can find suitable replacements. Sennheiser ew 500 Wireless G4 Handheld Microphone System ($1,295).SHAPE ARRI Standard Studio Bridgeplate with 15mm Rods ($351).Teradek RT MK3.1 4-Axis Wireless Lens Controller ($1,599).Wooden Camera WC-150800 Rosette Hand Grip ($195).Teradek RT Latitude MDR & MK3.1 Slave Cable – 24″, RA to Straight ($79).Teradek RT Thumbwheel S Standard Wired Controller ($399).Teradek MDR.ACI Wireless RED Camera Control ($2,199).Letus35 Helix Juice Box Battery – 5200 mAh ($175). Handheld Gimbal Stabilizer with Bluetooth, Wi-Fi, and Encoders ($1,799) Manfrotto 502AH Pro Video Head with Flat Base ($159-200).Syrp Magic Carpet 3.3′ Medium Track with Carriage and End Caps Kit ($329).Sachtler Sandwich Touch and Go Adapter with Touch & Go Plate 16 ($351).SmallHD 702 Bright On-Camera Monitor ($1,499).This is where you can substitute options based on budget - but keep in mind that the crew selected many of these tools for their wireless capabilities, which creates more freedom on set. Obviously, you’ll want to choose the lenses you’d want for your own types of projects, but the Sigma Art lenses are beautiful. If you want to save a little, you can go with a DRAGON-X 5K, which starts at $14,950. If you feel like splurging with a few thousand more for the HELIUM 8K sensor, you’ll be starting around $24,500. That’s because the GEMINI offers much better low-light shooting. The Corridor Crew has been using RED cameras for years, but they recently decided to switch from the HELIUM 8K to the GEMINI 5K. If you want to build something similar, expect to spend at least $35,000. So what gear did the Corridor Crew use? B&H has a compiled list of the support gear, but we also hunted down the camera package itself. That’s the challenge the team at Corridor took on, and here’s what they came up with. Shoot over the shoulder, on a gimbal, with a tripod, with a slider, or even sitting on the ground. Imagine a camera that, once assembled, could shoot any type of scene with multiple support systems. Something that serves the needs of the DP, First AC, sound technician, and more. So what does it take to put together an incredibly flexible camera package? Something that you can quickly and easily use on set. This is a professional setup with some top-of-the-line gear combined with some budget-friendly accessories. Let’s get something out of the way - this won’t be cheap. Learn how you can build a professional cinema camera package that is ready for any type of run-and-gun shoot or studio setup.
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